16.590 new on WWW: Vesalius, De humani corporis fabrica

From: Humanist Discussion Group (by way of Willard McCarty willard.mccarty@kcl.ac.uk)
Date: Thu Mar 27 2003 - 02:25:07 EST

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                   Humanist Discussion Group, Vol. 16, No. 590.
           Centre for Computing in the Humanities, King's College London
                       www.kcl.ac.uk/humanities/cch/humanist/
                         Submit to: humanist@princeton.edu

             Date: Thu, 27 Mar 2003 07:09:34 +0000
             From: Jeffrey Garrett <jgarrett@northwestern.edu>
             Subject: Vesalius's "Fabric of the Human Body" Site Released

    SIXTEENTH CENTURY SCIENCE TREASURE MEETS TWENTY FIRST CENTURY TECHNOLOGY

    EVANSTON, Ill. --- One of the world's great treasures of Renaissance
    bookmaking and most ambitious and comprehensive surveys of human anatomy is
    being translated into English from a densely complicated Latin and
    published online by Northwestern University researchers. For the first time
    ever, the first and longest book of the 16th century anatomical atlas, "On
    the Fabric of the Human Body," can be viewed in its entirety on the World
    Wide Web at http://vesalius.northwestern.edu.

    Originally published in 1543 -- the year Copernicus published his
    revolutionary "Revolutions of the Heavenly Bodies," the "Fabrica" is the
    work of Andreas Vesalius, a Flemish anatomist and physician today known as
    the father of anatomy. (Vesalius revised his anatomical atlas in 1555).

    Just as Copernicus' work forever changed ideas about the place of man in
    the cosmos, Vesalius' Fabrica revolutionized the world's understanding of
    human anatomy and the importance of direct observation in medicine and
    science. With its publication, Vesalius put the study of science and
    medicine on a new course that led to William Harvey's discovery of the
    circulation of blood in 1628 and other important findings.

    Vesalius' work provided a detailed account of the human body and 272
    intricate anatomical woodcut drawings and diagrams to help describe that
    account. Applying 2lst century computer technology to sixteenth century
    images, the online Fabrica's illustrations have been edited and enhanced
    for better viewing.

    The Northwestern Web site includes the complete annotated text of the first
    book of the atlas, representing about one quarter of the Fabrica.
    Eventually all seven books of the original anatomical atlas and substantive
    revisions in the 1555 edition will be translated and presented on the Web.
    The site will include edited reproductions of all the diagrams and
    anatomical woodcuts that appear in both the 1543 and 1555 Fabrica editions.

    Vesalius of Brussels (1514-1564) produced his first anatomical atlas at age
    28, relying more on direct observation and dissection than on the study of
    ancient books (then the popular method of anatomical study). He challenged
    the work of anatomists such as Galen (2nd century AD), whose understanding
    of the human body was based on the study of farm animals and Barbary apes.

    Vesalius' work transformed the study of human anatomy and his illustrations
    - which may have been executed in the studio of the great Renaissance
    painter Titian -- have had an enduring influence on medical art and
    illustration. According to "The Oxford Medical Companion," Vesalius' atlas
    is "probably the most influential of all medical works."

    Vesalius, considered in his time a scientific "enfant terrible,"
    revolutionized medicine and science by insisting that truth could be
    established only by direct observation. The body itself, he insisted, must
    be the "textbook" from which understanding of the human body arises.

    At a time when Christians and Jews alike were still uncomfortable about the
    use of human cadavers in the study of anatomy, this enfant terrible
    presented dramatic dissections in large theatres in Pisa, Padua, and
    Bologna to prove that anatomy could only be learned first-hand at the
    dissection table.

    Rather than bringing in butchers to do the handiwork of his dissections,
    Vesalius himself worked on the human cadavers and said that students of
    medicine should do the same. Vesalius vigorously asserted that surgery,
    which had long been disregarded in science, was one of the central crafts
    of medicine.

    Northwestern's online edition of the atlas includes modern Latin names for
    all parts of the body mentioned by Vesalius and footnotes on anatomy,
    contemporaries mentioned by Vesalius, and ancient Greek and Roman sources.

    The translation of the first book of the Fabrica represents 10 years of
    work by Daniel Garrison, professor of classics in Northwestern University's
    Weinberg College of Arts and Sciences, and Malcolm Hast, professor emeritus
    of otolaryngology in Northwestern's Feinberg School of Medicine.

    "The Latin of the Fabrica is hideously difficult," says Garrison, who has
    been reading Latin since he was 13. "It's not so much the terminology that
    makes it such a killer but the potential for unintentional ambiguity in the
    language," he explains.

    While the completed Fabrica is slated for very high-quality print
    publication, the Web allows Garrison and Hast to make the work widely
    available as translation progresses. In addition, the Web enhances the
    environment in which readers can interact with the text and drawings.

    "What makes this Web presentation unique is the linkage of text and
    images," says Garrison. "The images can be enlarged and viewed next to the
    text for each specific anatomical feature. This is something that doesn't
    work well in a book, where you have to flip pages." Another useful feature
    of the online edition is the ability to search text, references to figures,
    and anatomical terms.

    Developing the technology for the online edition of the atlas was the work
    of staff at Northwestern's Galter Health Sciences Library, the University
    Library, and Academic Technologies. One of the project's challenges
    involved digitizing and editing the illustrations so they could be used in
    the online edition.

    "The chief object of the graphical editing was to clean up the tiny Greek
    and Roman characters and other glyphs in the illustrations to make them
    more legible," says Garrison.

    Garrison has made repairs to two kinds of artifacts resulting from the
    original production of the woodcuts on the spongy, irregular paper used in
    16th century printing: dropouts where the inked block did not entirely meet
    the surface of the paper, and blots where too much ink bled onto the paper.

    Since no two woodcut impressions are identical, these repairs require close
    attention to what Vesalius tells us in the figure legends and to evidence
    found in original printed specimens and reproductions of these originals,"
    Garrison says.

    For this project, Garrison had access to a rare copy of the 1555 Fabrica
    owned by the Galter Library of Northwestern's Feinberg School of Medicine.

    The Vesalius project was made possible with support of the National
    Endowment for the Humanities and National Institutes of Health, National
    Library of Medicine. For further information, particularly about the
    technology that has gone into the Web site, see the Fact Sheet that
    accompanies this release.

    -30-

    3/20/03

    FACT SHEET NORTHWESTERN UNIVERSITY'S VESALIUS SITE

    CONTENT

    When complete, Northwestern's online edition of the Vesalius atlas will
    include:

    - A literal translation of the 1543 text and a translation of all
    substantive revisions in the 1555 edition.

    - Modern anatomical names for all body parts described in the atlas.
    Vesalius believed that all anatomical terminology should be based on Latin.

    - Footnotes designed to clarify Vesalius' account. These notes relate to
    anatomy, to Vesalius' ancient Greek and Roman sources, and to his life in
    general (the people, places, and events that influenced his work).

    - Reproductions of every diagram and anatomical woodcut in both editions of
    the atlas (272 figures), edited for legibility. In addition, there are 17
    small and 4 large historiated capitals at the beginnings of the chapter
    narratives and books.

    - Historical introductions to each book. The introduction to book one has
    been written by Vivian Nutton of the Wellcome Library, author of John Caius
    and the Manuscripts of Galen, Medicine at the Courts of Europe 1500-1837
    and a forthcoming book on ancient Greek medicine.

    TECHNOLOGY

    - The translated text was electronically encoded in Extensible Markup
    Language (XML) according to the Text Encoding Initiative's (TEI) Guidelines
    for Electronic Text Encoding and Interchange. Using the XML-based markup
    standard rather than a display-based standard such as HTML or a less open
    format such as Microsoft Word or WordPerfect assures the longevity and
    preservability of this important new work.

    - Northwestern continues to explore and experiment with different
    technologies for delivering XML and XML searching to users through standard
    Web browsers. This online atlas batch-translates the XML into XHTML for
    browser display, and uses NativeX SDK (formerly Inktomi's XML Toolkit) to
    handle searches and indexing.

    - Images in the atlas are converted to FlashPix and delivered to the
    browser as JPEGs with TrueSpectra's Image Server. The TrueSpectra server
    and Flash client allow the user to zoom in and out on these intricate
    high-resolution images. A vector graphics layer around the image server was
    developed locally so that highlighted regions can be turned on and off by
    clicking on the accompanying book text. This functionality is critical for
    the complex images, which are accompanied by figure legends that explain
    the various regions in great detail. The image regions, or overlays, were
    drawn manually with Adobe Illustrator and exported as Scalable Vector
    Graphics (SVG).

    --
    ___________________________________________
    M. Claire Stewart (ne Dougherty)
    Head, Digital Media Services
    Northwestern University Library
    (847) 467-1437
    claire-stewart@northwestern.edu
    http://copyrightreadings.blogspot.com
    



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