18.128 new on WWW: EMLS 10.1

From: Humanist Discussion Group (by way of Willard McCarty willard.mccarty_at_kcl.ac.uk>
Date: Tue, 10 Aug 2004 11:38:59 +0100

               Humanist Discussion Group, Vol. 18, No. 128.
       Centre for Computing in the Humanities, King's College London
                     Submit to: humanist_at_princeton.edu

         Date: Tue, 10 Aug 2004 11:31:11 +0100
         From: Sean and Karine Lawrence <seanlawrence_at_writeme.com>
         Subject: EMLS 10.1

To whom it may concern,

Early Modern Literary Studies is pleased to announce the publication of its
most recent issue and beginning of its tenth year of publication. The
table of contents appears below, and the journal can be accessed free
online at http://purl.oclc.org/emls/emlshome.html

Yours sincerely

Sean Lawrence
Assistant Editor


A Shroud for the Mind: Ralegh's Poetic Rewriting of the Self. [1] Miri
Tashma-Baum, Tel-Aviv University.

"On forfeit of your selves, think nothing true": Self-Deception in Ben
Jonson’s Epicoene. [2] J.A. Jackson, Hillsdale College.

Does Beatrice Joanna Have a Subtext?: The Changeling on the London Stage.
[3] Roberta Barker and David Nicol, Dalhousie University.

Women, Children, and the Rhetoric of Milton’s Divorce Tracts. [4] Sara van
den Berg, Saint Louis University.

Milton’s ‘Divorcive’ Liberties: Ecclesiastical, Domestic or Private, Civil
and Cosmological [5]. W. Scott Howard, Denver University.

Human Nature in Republican Tradition and Paradise Lost. [6]William Walker,
University of New South Wales.

Roman or Revenger? The Definition and Distortion of Masculine Identity in
Titus Andronicus. [7] Brecken Rose Hancock, University of New Brunswick.

Book Reviews:
Bryson, Michael. The Tyranny of Heaven: Milton’s Rejection of God as King.
[8] Newark: U of Delaware P; London: Associated University Presses, 2004.
Peter C. Herman, San Diego State University.
Stock, Brian. After Augustine: The Meditative Reader and the Text. [9]
Philadelphia: U of Pennsylvania P, 2001. Gary Kuchar, University of Victoria.
Banerjee, Pompa. Burning Women: Widows, Witches, and Early Modern European
Travelers in India. [10] New York: Palgrave Macmillan, 2003. M. G.
Aune, North Dakota State University.
Lehmann, Courtney, and Lisa S. Starks, eds. The Reel Shakespeare:
Alternative Cinema and Theory. [11] Madison and Teaneck, NJ: Fairleigh
Dickinson UP; London: Associated UP, 2002. Carolyn Jess, The Queen’s
University of Belfast.
Meads, Chris. Banquets Set Forth: Banqueting in English Renaissance Drama.
[12] Manchester: Manchester UP, 2001. Hillary Nunn, University of Akron.
Reviewing information, books received for review, and forthcoming reviews.

Theatre Reviews:

Cambridge Shakespeare, Spring 2004. [13] Reviewed by Michael Grosvenor-Myer.

The Merchant of Venice by William Shakespeare, performed by Northern
Broadsides at the Buxton Opera House, April 2004. [14] Reviewed by Ben
Spiller, Sheffield Hallam University.

Othello, performed by the Royal Shakespeare Company at the Swan Theatre,
Stratford-upon-Avon, March 2004. [15] Reviewed by Kate Wilkinson, Sheffield
Hallam University.

Paradise Lost, performed at the Bristol Old Vic. [16] Reviewed by Neil
Forsyth, University of Lausanne.

Film Reviews:

The King Is Alive. Directed by Kristian Levring, Pathé, 2000. [17] Reviewed
by Carolyn Jess, The Queen's University of Belfast.

Scotland, PA. Directed by Billy Morrissette. Lot 47, 2001. [18] Reviewed by
Carolyn Jess, The Queen's University of Belfast.

Readers' Forum:

Responses to articles, reviews, and notes appearing in this issue that are
intended for the Readers' Forum may be sent to the Editor at
Received on Tue Aug 10 2004 - 07:00:54 EDT

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