Humanist Discussion Group, Vol. 33, No. 101. Department of Digital Humanities, King's College London Hosted by King's Digital Lab www.dhhumanist.org Submit to: email@example.com Date: 2019-06-18 09:52:05+00:00 From: Robert A Amsler
Subject: Fake People Story from NYTimes There used to be a popular cartoon about using email on the Internet, "On the Internet, nobody knows you're a dog". (see attached idog.jpg) Well, it seems "fake news" now has human-level "fake people" created by advanced digital imaging technology. Coupled with companies creating a social media presence for their brands online, and people gaining followers as "influencers" because of video blogging, we could soon have concentrated efforts to "design a spokesperson" for influencing people online. I once predicted banking would experience such a event when computer graphics got advanced enough to create synthetic online tellers you could talk with. That time is almost here. Now, we will need the footnotes to read "Not a real person; spokesperson is computer-generated" - R. Amsler ----- [From: https://www.nytimes.com/2019/06/17/business/media/miquela-virtual- influencer.html?te=1&nl=morning-briefing&emc=edit_MBAE_p_20190617§ion=longRe ad?campaign_id=7&instance_id=10281&segment_id=14393&user_id=642a57f40def370d6b1b 09d16ab689da®i_id=74018416ion=longRead] The New York Times Media These Influencers Aren't Flesh and Blood, Yet Millions Follow Them Image: Balmain commissioned the former fashion photographer Cameron-James Wilson to create a "virtual army" of digital models, including, from left, Margot, Shudu and Zhi. Credit: Balmain By Tiffany Hsu June 17, 2019 The kiss between Bella Hadid and Miquela Sousa, part of a Calvin Klein commercial last month, struck many viewers as unrealistic, even offensive. Ms. Hadid, a supermodel, identifies as heterosexual, and the ad sparked complaints that Calvin Klein was deceiving customers with a sham lesbian encounter. The fashion company apologized for "queerbaiting" after the 30-second spot appeared online. But Ms. Hadid, at least, is human. Everything about Ms. Sousa, better known as Lil Miquela, is manufactured: the straight-cut bangs, the Brazilian-Spanish heritage, the bevy of beautiful friends. Lil Miquela, who has 1.6 million Instagram followers, is a computer-generated character. Introduced in 2016 by a Los Angeles company backed by Silicon Valley money, she belongs to a growing cadre of social media marketers known as virtual influencers. Each month, more than 80,000 people stream Lil Miquela's songs on Spotify. She has worked with the Italian fashion label Prada, given interviews from Coachella and flaunted a tattoo designed by an artist who inked Miley Cyrus. Until last year, when her creators orchestrated a publicity stunt to reveal her provenance, many of her fans assumed she was a flesh-and-blood 19-year-old. But Lil Miquela is made of pixels, and she was designed to attract follows and likes. Her success has raised a question for companies hoping to connect with consumers who increasingly spend their leisure time online: Why hire a celebrity, a supermodel or even a social media influencer to market your product when you can create the ideal brand ambassador from scratch? That's what the fashion label Balmain did last year when it commissioned the British artist Cameron-James Wilson to design a "diverse mix" of digital models, including a white woman, a black woman and an Asian woman. Other companies have followed Balmain's lead. Image: Bella Hadid, left, an influencer on social media, and her digital counterpart Miquela Sousa in a Calvin Klein commercial. Credit: Calvin Klein Human simulations have existed for years. They have dealt cards in Las Vegas, made music in the band Gorillaz and lived an approximation of real life in the Sims video game. But lately they have become more realistic and more engaging. Fable Studio, which bills itself as "the virtual beings company," created Lucy, a cartoonish character able to read and respond to viewers' reactions in real time. The company says it makes digital creations "with whom you can build a two-way emotional relationship." Xinhua, the Chinese government's media outlet, introduced a virtual news anchor last year, saying it "can work 24 hours a day." Coca-Cola and Louis Vuitton have used video game characters in their ads. Soul Machines, a company founded by the Oscar-winning digital animator Mark Sagar, produced computer-generated teachers that respond to human students. Last month, YouPorn got in on the trend with Jedy Vales, an avatar who promotes the site and interacts with its users. Edward Saatchi, who started Fable, predicted that virtual beings would someday supplant digital home assistants and computer operating systems from companies like Amazon and Google. "Eventually, it will be clear that the line between a Miquela and an Alexa is actually very slim," he said. Virtual influencers come with an advantage for the companies that use them: They are less regulated than their human counterparts. *And the people controlling them aren't required to disclose their presence.* (bold highlighting mine - RAmsler) **** Many of the characters advance stereotypes and impossible body-image standards. Shudu, a "digital fabrication" that Mr. Wilson modeled on the Princess of South Africa Barbie, was called "a white man's digital projection of real-life black womanhood" by The New Yorker. The Federal Trade Commission acknowledged in a statement that it "hasn't yet specifically addressed the use of virtual influencers" but said companies using the characters for advertising should ensure that "any claims communicated about the product are truthful, not misleading and substantiated." Image: KFC worked with Generic Versatility to develop the virtual version of Colonel Sanders, here promoting Dr Pepper. Credit: KFC In a way, virtual influencers are not so far removed from their real-life predecessors. It's no secret that the humans who promote brands on social media often project a version of daily life that is shinier and happier than the real thing. But when a brand ambassador's very existence is questionable â especially in an environment studded with deceptive deepfakes, bots and fraud â what happens to the old virtue of truth in advertising? Bryan Gold, the chief executive of #Paid, which connects influencers to companies, said virtual influencers could lead companies into "a dangerous area," adding, "How can consumers trust the message being put out there?" But the concerns faced by human influencers â maintaining a camera-ready appearance and dealing with online trolls while keeping sponsors happy â do not apply to beings who never have an off day. "That's why brands like working with avatars â they don't have to do 100 takes," said Alexis Ohanian, a co-founder of Reddit and the self-described grandfather of the virtual influencer Qai Qai. "Social media, to date, has largely been the domain of real humans being fake," Mr. Ohanian added. "But avatars are a future of storytelling." KFC recently introduced a new Colonel Sanders on social media. He has a dusting of stubble on his jaw, tattooed abs, a silver coif worthy of a teen idol and bulging biceps beneath a perpetually unbuttoned white jacket. The reimagined fried chicken kingpin â another virtual being â was designed to spoof the vast ecosystem of influencers, which includes nanoinfluencers, kidfluencers and petfluencers. His creators consulted an inspiration board plastered with photos of human Instagram celebrities to generate the mash-up that became the new Colonel. "It was our opportunity to poke a little fun at the advertising world that we're a part of," said Steve Kelly, KFC's digital and media director. "But the love around virtual influencers is very real." Image: The creation of the virtual Colonel. Credit: Edelman The rising presence of uncannily realistic computer-generated beings in ads can be off-putting, however, in a realm where a manipulated video can make Nancy Pelosi appear to be slurring her words and the Mona Lisa can be "trained" to speak. "It's an interesting and dangerous time, seeing the potency of A.I. and its ability to fake anything," Mr. Ohanian said. Lil Miquela operated for two years before it was revealed that she was the product of a secretive company, Brud. Its California business registration lists an address in Silver Lake blocked by thick vegetation, but workers, who must sign nondisclosure agreements, said the company actually operates out of downtown Los Angeles. Brud's public relations firm, Huxley, declined multiple interview requests. On a public Google Doc that functions as the company's website, Brud bills itself as "a transmedia studio that creates digital character driven story worlds" and says Lil Miquela is "as real as Rihanna." Its "head of compassion," in Brud-speak, is Trevor McFedries, whom Lil Miquela has referred to in several posts as a father figure. Before co-founding Brud, Mr. McFedries was known as Yung Skeeter, a D.J., producer, director and musician who has worked with Katy Perry, Steve Aoki, Bad Robot Productions and Spotify. He has helped raise millions of dollars in financing from heavyweights like Spark Capital, Sequoia Capital and Founders Fund, according to TechCrunch. Last summer, Lil Miquela's Instagram account appeared to be hacked by a woman named Bermuda, a Trump supporter who accused Lil Miquela of "running from the truth." A wild narrative emerged on social media: Lil Miquela was a robot built to serve a "literal genius" named Daniel Cain before Brud reprogrammed her. "My identity was a choice Brud made in order to sell me to brands, to appear âwoke,'" she wrote in one post. The character vowed never to forgive Brud. A few months later, she forgave. Fans followed along, rapt. The online drama was as engineered as Lil Miquela herself, part of a "story line written by Brud," according to Huxley. It echoed "S1m0ne," a 2002 film starring Al Pacino as a film director who replaces an uncooperative actress with a digital ingÃ©nue. While virtual influencers are becoming more common, fans have engaged less with them than with the average fashion tastemaker online, according to data from Captiv8, which connects companies to social media influencers. "An avatar is basically a mannequin in a shop window," said Nick Cooke, a co-founder of the Goat Agency, a marketing firm. "A genuine influencer can offer peer-to-peer recommendations." There may be hope for the humans yet. Correction: June 17, 2019 An earlier version of a picture caption with this article misstated the order of three digital models created for Balmain. It also misstated the name of one of them. From left, they are Margot, Shudu and Zhi, not Margot, Xhi and Shudu. A version of this article appears in print on June 18, 2019 of the New York edition with the headline: 1.6 Million Follow Her Online. She Doesn't Exist. Read 85 Comments Related Coverage: A Fake Zuckerberg Video Challenges Facebook's Rules June 11, 2019 Image Welcome Our New Fembot Overlords July 30, 2018 Image Attachments: 190617-Fake-People=00VIRTUAL-INFLUENCERS-hadid-superJumbo.jpg: https://dhhumanist.org/att/66867/att00/ 190617-Fake-People=09a16c1e5e984d6ab51d4c9666c3e402-superJumbo.jpg: https://dhhumanist.org/att/66867/att01/ 190617-Fake-People=3bd2b1ea030441c7be11636cedf93af2-jumbo.jpg: https://dhhumanist.org/att/66867/att02/ 190617-Fake-People=1d408f2f1a964e4cb45800cc46ca7ae4-superJumbo.jpg: https://dhhumanist.org/att/66867/att03/ idog.jpg: https://dhhumanist.org/att/66867/att04/ _______________________________________________ Unsubscribe at: http://dhhumanist.org/Restricted List posts to: firstname.lastname@example.org List info and archives at at: http://dhhumanist.org Listmember interface at: http://dhhumanist.org/Restricted/ Subscribe at: http://dhhumanist.org/membership_form.php
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