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Humanist Archives: Sept. 12, 2019, 7:28 a.m. Humanist 33.245 - events: Global DH cfp; art history & visual culture

                  Humanist Discussion Group, Vol. 33, No. 245.
            Department of Digital Humanities, King's College London
                   Hosted by King's Digital Lab
                       www.dhhumanist.org
                Submit to: humanist@dhhumanist.org


    [1]    From: Evjen, Max 
           Subject: Call for Proposals Open for Global Digital Humanities Symposium - Deadline Nov 1 (101)

    [2]    From: Hannah Jacobs 
           Subject: Digital Art History Symposium at Duke University, Oct. 17-18 (65)


--[1]------------------------------------------------------------------------
        Date: 2019-09-11 20:20:05+00:00
        From: Evjen, Max 
        Subject: Call for Proposals Open for Global Digital Humanities Symposium - Deadline Nov 1


Global Digital Humanities Symposium
March 26-27, 2020
Michigan State University
msuglobaldh.org
(http://msuglobaldh.org)

Call for Proposals
Deadline: November 1
Proposal form
(http://www.msuglobaldh.org/submit-a-proposal/)

Digital Humanities at Michigan State University is proud to extend its
symposium series on Global DH (msuglobaldh.org)
into its fifth year, on March 26-27, 2020. Digital humanities
scholarship continues to be driven by work at the intersections of a
range of distinct disciplines and an ethical commitment to preserve and
broaden access to cultural materials. In celebration of the 10th
anniversary of MSU's Cultural Heritage Informatics Program
(http://chi.anthropology.msu.edu/),
we particularly encourage proposals along that theme, but as always we
strive to showcase DH work in all its forms.

Alongside the expansion of digital humanities in under-resourced and
underrepresented areas, a number of complex issues surface, including,
among others, questions of ownership, cultural theft, virtual
exploitation, digital rights, endangered data
(http://endangereddataweek.org/),
and the digital divide. DH communities have raised and responded to
these issues, pushing the field forward. This symposium is an
opportunity to broaden the conversation about these issues. Scholarship
that works across borders with foci on transnational partnerships and
globally accessible data is especially welcome. Additionally, we define
the term 'humanities' rather broadly to incorporate the discussion of
issues that encourage interdisciplinary understanding of the humanities.

Focused on these issues of social justice, we invite work at the
intersections of critical DH; race and ethnicity; feminism,
intersectionality, and gender; and anti-colonial and postcolonial
frameworks to participate.

This symposium, which will include a mixture of presentation types,
welcomes 300-word proposals related to any of these issues, and
particularly on the following themes and topics by Friday, November 1,
midnight in your timezone:

-- Critical cultural studies and analytics
-- Cultural heritage in a range of contexts, particularly non-Western
-- DH as socially engaged humanities and/or as a social movement
-- Open data, open access, and data preservation as resistance,
especially in a postcolonial context
-- How identity categories, and their intersections, shape digital
humanities work
-- Global research dialogues and collaborations within the digital
humanities community
-- Indigeneity - anywhere in the world - and the digital
-- Digital humanities, postcolonialism, and neocolonialism
-- Global digital pedagogies
-- Borders, migration, and/or diaspora and their connection to the digital
-- Digital and global languages and literatures
-- Digital humanities, the environment, and climate change
-- Innovative and emergent technologies across institutions, languages,
and economies
-- Scholarly communication and knowledge production in a global context
-- Surveillance and/or data privacy issues in a global context
-- Productive failure

   Presentation Formats:

-- 5-minute lightning talk
-- 15-minute presentation
-- 90-minute workshop
-- 90-minute panel
-- Poster presentation
-- There will be a limited number of slots available for 15-minute
virtual presentations

Please note that we conduct a double-blind review process, so please
refrain from identifying your institution or identity in your proposal.

Submit a proposal here
(http://www.msuglobaldh.org/submit-a-proposal/)

Notifications of acceptance will be given by December 9, 2019



Max Evjen
evjendav@msu.edu (mailto:evjendav@msu.edu)
TW:@cantus94
He/Him/His

Arts & Cultural Management and Museum Studies
Digital Humanities Coordinator
Site-Specific Performance
Department of Theatre
Michigan State University

Linton Hall
479 West Circle, Room 308B
East Lansing, MI 48823

--[2]------------------------------------------------------------------------
        Date: 2019-09-11 15:02:54+00:00
        From: Hannah Jacobs 
        Subject: Digital Art History Symposium at Duke University, Oct. 17-18

Centering Art History & Visual Culture in the Digital Humanities:
A Symposium Celebrating 10 Years of the Wired! Lab at Duke University

October 17-18, 2019
Nasher Museum of Art
Duke University

sites.duke.edu/centeringdh
#centeringdh

October 17, 2019
Keynote: "Digital Architectural and Art History: A View from the Field"
Patricia Morton, University of California, Riverside

October 18, 2019
I. Morning Session: Spatial Problems Across Time

"No One of Us Is Them: Diverse Proxy Phenomenology in Pompeii"
David Fredrick, University of Arkansas

"Experiencing Temporalities: Space and Pace in Late Ottoman Istanbul"
Burcak Ozludil, New Jersey Institute of Technology, and Augustus Wendell, Duke
University

"The Rules of Engagement: Thoughts about prolonged user interaction with virtual
environments with a focus on UCLA's reconstruction model of the World's
Columbian Exposition (Chicago, 1893)"
Lisa Snyder, University of California, Los Angeles


II. Afternoon Session: Digital Methods in the Early Modern Moment

"Mapping Social Context: The DECIMA as a Platform for Spatial Art History"
Colin Rose, Brock University

"The Mind of Michelangelo on Paper"
Mauro Mussolin, Ecole Polytechnique Fédérale de Lausanne, and Leonardo Pili,
Graphic Designer

"Visualizing Lost Landscapes: Sources, Stratigraphy, and Close Reading in
Mapping Qing Imperial Parks"
Stephen Whiteman, Courtauld Institute of Art


III. Roundtable: Past and Futures of the Spatial Humanities for Art History and
Visual

Wired! Lab Faculty and Staff



Sponsored by the Wired! Lab for Art History & Visual Culture and the Department
of Art, Art History & Visual Studies. Free and open to the public.


---
Hannah L. Jacobs
Digital Humanities Specialist, Wired! Lab | she/her/hers
Art, Art History, & Visual Studies, Duke University
hannah.jacobs@duke.edu
919-660-6563
dukewired.org
@dukewired
fb.com/wiredduke



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